Working with Polar-Productions, I created boards and previz based on Telenav's script. Cinema 4D and Octane Render were used to create the 3D shots while the motion graphics and compositing were achieved in After Effects. Clients: Polar-Productions, Telenav, Lexus
Writing Our Rights: The Empowerment Workbook took home a Gold for Design from the Cannes film festival this year. I contributed a single cg shot of the book flipping through pages which started out rather simple and ended up becoming more photoreal near the end of the process. Director:...
Designed and composited a CG shot of a ship being given a new coat of paint. This involved shading, lighting, simulating both wind and water, as well as animating the paint texture. In addition, assisted in designing the final shot of a CG paint drop falling into a paint...
Designed and rendered print/website campaign images for Oral B's Genius and Smart brushes. Clients: Ntropic, Oral B
Camera projected and composited live action product plates to enhance camera moves and add visual effects. Designed several assets such as CG droplets and numbers to match the look of the campaign. Clients: Ntropic, Olay
Designed a CG set within the Sprint logo and provided previz and final cameras as well as shading and lighting. These appeared in select sprint retailers. Clients: Ntropic, Sprint
In Visa's Cobrand for Merchant piece, I replaced a small jet with bigger airplane. This involved motion tracking and roto for replacing the plane which I shaded with the Cobrand color scheme. In addition to the plane cg replacement, I designed and animated many screen elements that were composited...
Working in Cinema 4D, I designed and visualized a mirror set to be fabricated for live action. I also provided a previz sequence. Clients: Ntropic, ABC
In Visa Connected, it was my first nosedive into GPU rendering using Octane for the first time. I developed the shaders for the card as well as animation and compositing. Clients: Ntropic, Visa
In this campaign, I provided mograph for all title cards as well as interweaving them with props such as bobble heads. Clients: Ntropic, Baker Street Advertising, SF Giants